AXIAL BALANCE

Axial Balance considers the axis as a site of origin and return. Circular forms hold a quiet tension between stillness and becoming, gravity and expansion, the finite and the infinite. The works suggest a living cosmos—at once grounded, cyclical, and endlessly unfolding.

*Genesis*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Nebula*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Aperture*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Singularity*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Origin*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

TILT 23.4° SERIES

These works draw from the planet’s subtle axial drift — a quiet instability emerging as mass shifts across the Earth’s surface. Multiple layers build a deeply textured surface that conveys an energy that holds mystery, intensity, and composition in quiet suspension.

*Tilt 1° [sold]*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Tilt 2°*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Tilt 3°*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Tilt 4°*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Tilt 5°*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

*Tilt 6°*

Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.

ETRUSCAN GROUND SERIES

Drawing from time-worn stone paths and ancient groundworks, this series considers surface as memory. Layered structures echo the quiet persistence of early civilizations, where touch, passage, and time leave their mark.