AXIAL BALANCE
Axial Balance considers the axis as a site of origin and return. Circular forms hold a quiet tension between stillness and becoming, gravity and expansion, the finite and the infinite. The works suggest a living cosmos—at once grounded, cyclical, and endlessly unfolding.
Genesis
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
Nebula
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
Aperture
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
Singularity
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
Origin
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
TILT 23.4° SERIES
These works draw from the planet’s subtle axial drift — a quiet instability emerging as mass shifts across the Earth’s surface. Multiple layers build a deeply textured surface that conveys an energy that holds mystery, intensity, and composition in quiet suspension.
Tilt 1°
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
Tilt 2°
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded and marked. 6’ x 6’.
Tilt 3°
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, and marked. 6’ x 6’.
Tilt 4°
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, and marked. 6’ x 6’.
Tilt 5°
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.
Tilt 6°
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked.
6’ x 6’.
ETRUSCAN GROUND SERIES
Drawing from time-worn stone paths and ancient groundworks, this series considers surface as memory. Layered structures echo the quiet persistence of early civilizations, where touch, passage, and time leave their mark.
Uno
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked.
6’ x 6’.
Due
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked.
6’ x 6’.
Tre
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked.
6’ x 6’.
Quattro
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked.
6’ x 8’.
Detail, Quattro
Center detail of Etruscan Ground, Quattro.
Sette
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked.
8’ x 8’.
Otto
Japanese and Nepalese papers with oil stick, graphite, acrylic polymers painted, printed, sanded, gold leafed, and marked. 6’ x 6’.